![]() Quirky as hell, but for me, his instruments have a character and point if view I just don’t get from a lot of otherwise excellent modern guitars. James Trussart’s stuff has so much character and vibe. I haven’t loved a guitar that much since I was a kid - or at least since before I worked as a jaded guitar mag editor. I won’t argue with you about the Steelcaster. I use something like that for a lot of the demos on this site, though a fair number are through the amp simulators in Apple’s MainStage. Plus the looper, of course, in line after the pedals. Royer R-121 mic to Avalon 737 preamp to Apple’s Logic Pro. Signal chain? For that video in particular? Let’s see…guitar through homemade delay, trem, and reverb pedals, into that Tremolux amp and white cab with an Alnico Blue that you see behind me. Every play with the bridge + neck Strat sound? It’s really sweet and very usable. And now I’m really eager to do a three-pickup Tele using the same blend-the-middle idea. However, after playing a gig with the Trussart (which is substantially warmer in tone than a classic Tele), I’m going to replace its. 033uF cap, and that’s what you hear in the demo for both guitars. (There’s a deeper discussion of tone control caps in this post.) I tried several other values, and prefer a slightly less dark. The value of the capacitor linking the selector switch and volume pot determines the darkness of the position 3 sound. Here’s the wiring diagram from the Seymour Duncan site, with my notes added in red: And oh my, there are some terrific sounds available along the range of the blend knob in position 1! I don’t miss not having a dedicated tone control for the bridge, because mixing in a bit of neck tames the nastiest highs. Switching to position 3 gives me an instant bass and EBow setting. The blend arrangement (or at least the modded version I detail below) affords all the tone control I need. It’s not a bad sound, but it never seems to thrill me like the brilliant bridge and fat neck sounds do. Meanwhile, I rarely find myself hanging out for long in the middle position, with both pickups engaged. to roll all the highs off the neck pickup for EBow playing, or for creating bass parts in bands without a bassist (like my current group, Mental 99).to roll of a smidgen of highs on the bridge pickup.Back in the day, this may have been as close as you could get to a good, amplified solidbody bass sound.)īut in the years since I’ve last tried the blend setup, I’ve spent a lot more time with Tele-family guitars, and I’ve realized that, while I use the tone knob often, I tend to use it in two specific ways: (BTW, this wiring predates the Fender Precision Bass. But like many players who’ve tried it over the last 60 or so years, my first reaction was that position 3 was simply too dark to be of much use, and I was reluctant to sacrifice a proper tone control. This wasn’t my first encounter with this wiring. And anywhere in between (this is the cool part) you get tones you simply can’t get from regular Tele wiring. Fully counter-clockwise, you get the usual position 2 sound. Fully clockwise, you get the usual position 1 sound. The second knob does nothing in positions 3 and 2, but when you move to position 1, it fades in the neck pickup along with the bridge pickup. Switching to position 3 (regular neck position on standard Teles) engages a tone-filtering capacitor for a much darker neck-pickup sound. With the Broadcaster blend wiring, the middle pickup-selector position gives you pure neck pickup. #Tele wiring diagrams upgrade#And once again, I wanted to see just how much of a sonic upgrade a simple pickup replacement could bestow on a humble guitar: in this case, a cheap, Chinese-made Squier Telecaster. My experiment had other motives: I wanted to check out Seymour Duncan’s Vintage Broadcaster Set, which replicates those earliest Telecaster-family pickups. I wired up a guitar this old-fashioned way, with some very surprising results. Sometimes an antiquated idea can acquire new relevance.Įxample: The ancient Fender Broadcaster wiring scheme, in which the guitar has no tone control per se, but the second knob acts as a pickup-blend control. Duncan's Vintage Broadcaster Set makes it SOUND old. An iPhone photo app makes this new Squier Tele look old. ![]()
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